My books are worth their weight in silver

Like most homes, we have a small stash of 5 cent, 10 cent and 20 cent coins that pile up in a coin jar. This coin jar is used regularly so there is rarely any more money than five dollars in it. My youngest son can only take canteen money from that jar to pay for his garlic bread or frozen oranges  and I get to use my handful of silver when I head down to my local opshop/charity shop.

Books at my opshop cost anywhere from $1 to $5. I will often throw some coins in my bag and head down to buy myself a book. When I did this today, I was overjoyed to find some Charlotte Lamb, Carole Mortimer, Anne Mather and Penny Jordan reprints on sale. These were reprints from their later books but even these reprints are nearly 10 years old and out of print. I counted my silver and found I had enough money to buy 3 books, all with 2 novels in each binding. I chose the ones I would buy, went to the front of the shop and waited to be served. The woman ahead of me was buying some interior decorating magazines. These were being sold for $1, too. There was a woman hovering to my side and when it came to my turn to be served she said to the woman at the checkout “Give her the Mills & Boon 3 for a dollar. I just want to get rid of them”. It turns out hover woman was the manager.

Now her comment took me aback somewhat. This is an opshop. Is there a place for snobbery in an opshop? I expect a certain egalitarianism from my opshop. I have often seen Target shirts hanging beside Ben Sherman shirts here. I have seen Sportsgirl skirts next to Jigsaw skirts. Frankly, my Mills & Boons, clutched closely to my bosom, had, just moments ago, been sitting on a shelf alongside John Banville’s the Sea and V. S. Naipaul’s Half a Life (ah! the sweet irony that they still sit on those shelves unpurchased). Isn’t shopping at an opshop an opportunity to give to a charity while benefitting from finding an item that is no longer easily purchased from mainstream retailers? For others it is a way to dress and clothe themselves while on a tight budget and for others it is a thumbing it to the big corporates in an attempt to be alternative.

Now this opshop only had 20 M&B titles which is quite a low amount in comparison with the opshop in the neighbouring suburb which has hundreds. And this was a good day! It often has none. Though on the one hand I was quite excited at the lower price so I hurried over to the shelves and chose another 6 books and bought 9 books for $3 (which being doubles means that I scored 18 new books today!) I was also angered. I wanted to shake my fist at the sky and shout “How could you denigrate these wonderfully written books. How could you value them less than a three year old tattered House and Garden”. But I didn’t. I did make a comment about literature snobs after I gave her my pennies.

I am offended on behalf of my reading love. My offense won’t last long as you develop a thick skin as an out-of-the-closet romance reader. But I choose to be affronted when my reading choices meet disdain, scorn and ridicule. I am going to love my books. And they are worth their weight in silver.

Postscript: Like most people, I buy my books from a broad range of places. Retailers, online, markets, opshops and second-hand bookshops. In anticipation of anyone reading this accusing me that if I felt that strongly about Mills & Boon why don’t I buy them new I would like to say that I only buy my in print Mills & Boon at full retail prices. And they are the books that are worth their weight in gold.

When a romance has you reflecting on past events….

Occasionally, when I read a romance, its storyline sends me on a remembrance of times that have past me. Liz Fielding‘s A Suitable Groom did that for me today.

A Suitable Groom is a sweet romance about a woman who orchestrates a meeting with a man that she feels will be a great deflector from her single status at a family wedding. I do enjoy a “Fake relationship becomes Real” plot line even though I know of only one real life relationship that had this as a start. (A green card marriage which eventuated in love, a child and now 25 years together). But there was something in the retelling of this tale that had me remembering the awkwardness of receiving invites for “Vassiliki and friend” for formal dinners, birthdays and weddings. When these events were held close to my home, I was more than happy to turn up on my own, but when venues were over an hour away by car I preferred to take a friend along. This was in the days of no mobile phones and I found driving through National Parks in my old, unreliable car at midnight on my own to be particularly distasteful.

I had a trusty partner in an old school friend who was always happy to come along to snooty parties, eat great food, dance the night away and then laugh while I drove the two of us home. This was a dear friend whom I had known since I was in primary school but I had no romantic inclinations towards him, and I believed that he had none towards me.

One night, as I was dropping him off from one of my many parties, he asked me to park the car. This startled me. He was my friend. I did not want him confusing our platonic relationship but I parked in his dark, quiet street.

He turned to me and told me “I know why I am on this earth”.

I internally cringed and thought “Why can’t guys just stay friends. Why do they have to misread romance into every friendship”.

He took my hand in his, gazed into my eyes and said “I have been put on this earth to kill the anti-Christ”.

As he said these words, my thoughts turned to “Why can’t guys just crack onto me”.

My next thought was “Fuck! What if he thinks I am the anti-Christ and he wants to kill me and I’m on his dark, quiet street”.

Suffice to say, I wasn’t who he was searching for but he did give me a long description of how this revelation came to him. I gently pulled my hand away from his, made my excuses that I was running late and had to head home and left him with his ramblings. Sadly, this did hamper our friendship as I never asked him to partner me again. To my knowledge, he never killed an anti-Christ but he did become a heroin addict from which he has been recovering with methodone for many years.

Which brings me back to Liz Fielding’s A Suitable Groom. Such a lovely read. Filled with funny family dynamics and a spark between the hero and heroine from the first moment that they spoke. I especially liked the accidental marriage plans as this is how my own husband and I accidentally married (I kid you not). If only there were more “fake relationship, stand in escort to a wedding turns into romantic love” stories in real life. *sigh*

R*BY Award Finalists and the availability of the shortlist in Australian Libraries


The Romance Writers of Australia Awards were announced today. These awards are voted on by readers and I was pleased to see so many of my favourite Australian Women Writers listed. As I am saving all my pennies to get my bookshelves built, I thought I’d borrow some of the titles through interlibrary loan so I searched through Trove (the National Australian Library’s database for the uninitiated) and I thought I would share the results with readers of this blog.

Short Sweet
Molly Cooper’s Dream Date – Barbara Hannay (18 public libraries/4 State or National)
How To Save a Marriage In a Million – Leonie Knight (1 public library/2 State/National)
Abby and The Bachelor Cop – Marion Lennox (19 public libraries)
Single Dad’s Triple Trouble – Fiona Lowe (16 public libraries/1 State/National/1 University)

Short Sexy
The Fearless Maverick – Robyn Grady (1 State/National/1 University)
The Man She Loves to Hate – Kelly Hunter (12 public libraries/1 State/National)
The Wedding Charade – Melanie Milburne (19 public libraries/1 State/National/1 University)
Her Not-So-Secret-Diary – Anne Oliver (7 public libraries/1 State/National/1 University)

Long Romance
Midnight’s Wild Passion – Anna Campbell (39 public libraries/2 Universities/3 State/National)
Boomerang Bride – Fiona Lowe (0 holdings – this seems very odd to me)
The Best Laid Plans – Sarah Mayberry (11 public libraries/1 university/National)
The Voyagers – Mardi McConnochie (53 public libraries/4 Sate/5 universities/National)

Romantic Elements
The Trader’s Wife – Anna Jacobs (52 public libraries/2 State/National/2 University)
The Shelly Beach Writers’ Group – June Loves (63 public libraries/3 State/3 Universities/National)
Busted In Bollywood – Nicola Marsh (0 – this seems very odd to me)
Shattered Sky – Helene Young (54 public libraries/4 universities/3 States/National)

I’m not sure how anyone else feels about this list but, with the exception of 5 of the titles, it doesn’t feel as though there are many loan choices. At first glance 15 might seem a lot but break that down by State and it doesn’t represent many holdings. I’m not sure how the authors themselves would feel about this. Is it a case of “Good – they’ll go out and buy my book instead” or “For heaven’s sake! Will librarians start buying up in romance! I want my books to be read by library borrowers who ultimately become buyers”.  Hopefully, now that libraries have a shortlist to select from, this list will look quite different by August when the awards are announced.

NOTE: I know that, in terms of ILL’s libraries do have other avenues to search for titles, but as a reader searching from home, I rarely explore these other options. If it isn’t listed by Trove I either don’t read it or I buy it. I also understand that Australian Librarians can’t all buy every single title that comes out – and perhaps this is where I sometimes get all nostalgic and bemoan that libraries no longer have schemes such as the wonderful Sydney Subject Specialisation Scheme – Fiction Reserve program in place. This scheme gave each library in the Sydney region a Dewey span and a Fiction letter span to specialise in – for example, one library I worked at had the span of authors with surnames Koc – Let (cheeky librarians). The loss of this program has resulted in everyone catering to the middle ground and some less well known, less read but still interesting books are not being purchased.

Eye candy, chest hair and the category romance cover

I love my category romance fiction books and, along with my love for the stories, I also love the schmaltzy cover art. For what can be more soothing at the end of a tiring day, than an easy-on-the-eyes image of a handsome man on the cover of your current read.

Mills and Boon Covers

Mills and Boon Covers

But for many years, I would get annoyed at the waxed, glistening pecs on a torso on so many covers.  Now, unless the book is about a male model/exotic dancer/personal trainer, I prefer the cover to reflect the character. You know, white coats for the medics, suits for the business man, kanduras for the sheiks, western shirts for the cowboys and a black T-shirt for the firies. And though I know that some readers like to see the muscle bound man on the cover, I find it very hard to reconcile myself to the hardened Montana cowboy or Australian outback station owner driving/flying to Helena or Barcaldine for their monthly manscaping appointment as it is contradictory to the character I am reading about. And the reality is, most men have chest hair. And it is lovely and it is normal.

I often wonder about historians in 3011. The apocalypse had been and gone with a second dark age where everything had been burnt and annihilated. However, there is a rare discovery of boxes of discarded category romances found during an archaeological dig. These boxes are the only insight into the early second millenium. After a long investigation, these learned historians come to the summation that thousands of years ago melodrama was the stance of the normal couple, women only wore flowing, backless dresses and men had no chest hair yet had really well-developed pecs and abs.

When I suggested on Twitter that cover artists were briefed to not make men hirsute, fellow romance reader and tweeter, McVane, reasoned:

@McVane: @VaVeros Instructed? I'm surprised. I had always assumed it was cos hairy chests are bloody too difficult to paint/illustrate.

This makes a lot of sense to me and I have to agree though, if you can be bothered searching, there are some fab cover illustrations from the 70s and 80s that are exceptions such as Anne Weale’s Passage to Paxos.

So, after a long hiatus from browsing the eharlequin website, I thought I’d have a quick look at the upcoming releases. And what a pleasant surprise it was to see a hairy chested man on the occasional cover. No longer did the men have prepubescent hairless physiques  but they represented a (kinda) norm. The buffed, oiled (squick me out) hero can still be seen in all his flexed (eww) glory over at the Blaze line. But the other lines are that tad bit more realistic (bwahahaha), and in my opinion, sexier. Though I wish HMB had used a  hot hot hot Westmoreland rather than a boring old stetson on a chair on this book. For the most part, cover heroes are all in suits (yum) and regular clothes (yay) with the occasional half-dressed-in-the-bedroom or sunset-on-the-beach-in-slightly-rolled-up-trousers scenes (hmmm).

I recall that sometime last year Harlequin/Mills and Boon ran a Twitter survey asking reader preferences for hair or no hair and I would like to think that the current changes are a reflection of the responses that they received.

And, for what it’s worth, I’d love to see more black haired, blue eyed heroes wearing a suit with their shirt opened only slightly at the neck.

Ten authors and their tenth book

My bookgroup celebrated its 10th anniversary this week. The topic for this month was 10. So I decided to look at my favourite ten fiction authors and their first and tenth fiction books. Five of the authors were amongst my favourite authors in 2001 and the other 5 are amongst my favourites in 2011. My aim was to see if each author improved with every book, whether they were they consistently good and whether or not they managed to sustain my interest. I am listing the authors in alphabetical order not in order of preference.

Isabelle Allende

1st title: The House of Spirits (loved it)  10th title: City of Beasts (I have not read this title)

I remember falling in love with the intricate lives that Allende wrote about. Her books were like a perfume that I could sense when I would sit and read but by the time Paula (let alone City of Beasts) was released I was no longer interested in reading more of Allende’s books.

Suzanne Brockmann

1st title: Future Perfect 10th title: The Kissing Game (I haven’t read either of these titles)

The first Brockmann book I recall reading was Prince Joe (her 8th book) and she quickly became an autobuy author. I discovered her Tall, Dark & Dangerous series (Silhouette) and then became completely taken by her Troubleshooters series which are full of action, shooting, nefarious terrorist plots and lurve. It’s like watching/reading Team America sans the crass humour. However, as much as I enjoy her books I have not felt compelled to buy any books since Into the Fire and I am now happy to wait to borrow a library copy.

Douglas Coupland

1st title: Generation X (loved it) 10th title: Eleanor Rigby (I have not read this title)

I read Generation X within months of its release and it was like a revelation. It was modern, it was disinterested, it was wry and I was in love with Coupland. Life After God, for years, was a favourite book yet my interest waned rapidly after reading Polaroids from the Dead (non-fiction) and I have not been tempted to read Eleanor Rigby.

Jennifer Crusie

1st title: Manhunting (I have not read this book) 10th title: Crazy for You (A great read)

I enjoyed this book, stalker, Quinn, Nick and all. The first Crusie title I read was Charlie All Night which I reread every few years (and still enjoy). Crusie’s sharp, biting dialogue is fun and her characters’ relationships and friendships make me want to be friends with them. My personal favourites are Welcome to Temptation (11th title), Bet Me (14th title) and Agnes and the Hitman – co-written with Bob Mayer (15th title). I feel that these 3 titles set the contemporary romance literature benchmark.

Gabriel Garcia Marquez

1st title: In Evil Hour (I have not read this book) 10th title: there is no 10th novel (I could cheat and count his novellas but I won’t)

I have a shameful secret. I know that in the early 90’s I read (and re-read) both 100 Years of Solitude and Love in the Time of Cholera. I recall waxing lyrical about them to a guy I was interested in and I saw it as a “sign” that he then read them and we went out and, over dinner, spent a night discussing them both. Both my copies are dog-eared and marked. Now here is the shameful part. I cannot for the life of me recall anything whatsoever about the books (except that I loved them at the time). I could have chosen a different fave author to include, one whose works I did remember. But I chose to include Marquez because I don’t think his books resonated with me the way I initially thought they had.

Rachel Gibson

1st title: Simply Irresistible (enjoyed it) 10th title: I’m in No Mood for Love (loved it)

I read I’m in No Mood for Love before Simply Irresistible. Having read, and loved, several of Gibson’s titles I tracked down her backlist and read through them all. I thoroughly enjoyed them. I’m in No Mood for Love also stands out for me because it was a rare romance that I recommended for my husband to read and he too enjoyed it. Simply Irresistible was good and fun but I didn’t recommend it to my husband….(which is telling in itself).

John Irving

1st title: Setting Free the Bears 10th title: The Fourth Hand (I have not read either of these books)

I remember watching the movie of The World According to Garp and my sister and I pooling our money together to buy the book. And we both loved it. We continued to read as many of Irving’s books as we could find. And I particularly recall thinking that A Prayer for Owen Meany was a powerful tale. However, by the time A Son of the Circus was released, once again, my interest had waned.

Milan Kundera

1st novel: The Joke (a great read) 10th title: there is no 10th novel (though there are a number of short stories)

This is another author adoration that I had due to needing to read the book of a movie that I loved. And as wonderful as The Unbearable Lightness of Being was on film, the book far surpasses it. Yet, it is The Farewell Party remains my favourite of all Kundera’s books.

Susan Elizabeth Phillips

1st title: The Copeland Bride (I have not read this book) 10th title: Nobody’s Baby But Mine (An enjoyable read)

I love that Susan Elizabeth Phillips (SEP) creates unlikeable characters whose actions are awful and yet by the end of the book you want them to have a happy outcome. This is particularly true in Nobody’s Baby but Mine in which the heroine tricks the (sports) hero into impregnating her for she decides that she wants to have a child that is not bright. Her stereotypes and deception grate yet I love the complex relationships SEP builds and reconciles. I feel that she is another benchmark romance author. I look at her list of published titles and though her earlier books were good, her Chicago Bears series are outstanding and it is her 17th title, Match Me If You Can, that is my favourite of all her books.

Julia Quinn

1st title: Splendid (I have not read this book) 10th title: An Offer from a Gentleman (A lovely, sad Cinderella story)

Up until a year ago, I had no interest in reading historical romances. I didn’t mind historical fiction or fiction that was contemporary when it was published but now is historical (ie, Jane Austen) but, I’ll admit, books where women swooned over dukes, earls, or barons left me cold. I decided to overcome my biases and started with a very early Julia Quinn novel that did not grab me at all. I then read When He Was Wicked and fell in love. By the time I read An Offer from a Gentleman I was hooked and just as I was tiring of the 8 book Bridgerton series, the last book On the Way to the Wedding had me on the edge of my seat anticipating how the relationship issues were going to be resolved. And this book was 5 after her 10th title! Simply gold!

The thing that stands out more than anything else is that my reading tastes have changed markedly over the last 20 years. 20 years ago I was reading predominately literary fiction or non-fiction smattered with some category romances and the occasional romance. I devoured classic literature and loved to read conceptual modern fiction too. By the late 1990’s I felt exhausted by the constant search for the meaning of life and (for the most part) stopped reading literary fiction. Time has yet to test whether I’ll feel the same way about my current favourites (though to be fair Jennifer Crusie and Suzanne Brockmann have been faves for over a decade already). But what I do find interesting is that most literary authors’ strongest novels are at the beginning of their writing life whereas it seems that the inverse is true for the romance authors I have listed above. Where I may have enjoyed their first few books, it is their subsequent publications that have drawn me in and hooked me as an avid fangirl.

Obviously, I am biased. I love reading romance novels so it is impossible for me to be objective. However, I was a fan of literary fiction for a lot longer and much earlier in my youth. And why do I think my reading preferences changed? I think I might leave that question for another blog post.

Romance fiction, to me, is somewhat akin to science fiction

I love reading romances. I love the relationships, I love the internal monologues, I love reading both the male and female points of view of the same events. I love reading about characters grappling with either internal issues or external events beyond their control and overcoming these problems together. I absolutely adore the Happily Ever After endings to such a point that I will kill fairies to ensure that I get the ending that I most desire. And most of all, I love that I have to leave my cynical, snarky self at the door for the duration of reading and escape to some other world, some other planet where the relationship build ensures that no matter what obstacles, issues, evil nemesis, glamorous next-door neighbours, indecisions, friendship pressures and other alien, droid or spaceship interventions, the hero and the heroine prevail and end up with one another. Yes, dear reader, romance fiction, to me, is somewhat akin to science fiction.

I grew up on a street that had 2 parish churches (different denominations) and every Saturday and Sunday we would sit on our front verandah and watch hourly processions of brides and grooms in their various Jaguars, Mercedez Benzs, convertibles, Holden Monaros, horse-drawn carts, and ribbon strewn silver Bugattis passing our home. Each and every time my parents would jokingly say “Another couple going to their hanging”. This was the first plant in my mind that marriage was a cynical pursuit. It was a prison that was not to be coveted.

A much loved (divorced) aunt, at weddings, would always greet me with “May you remain on the shelf, and may it be made of steel”. Hmmm!

Add to the mix that I was a Mad Magazine aficianado. Mad gave me an understanding of satire and irony and taught me to question everything. And I loved Dave Berg’s The Lighter Side of…. which always poked fun at relationships.

So any time I would hear any gushings of “But I lurve him” from the girls at school or “He’s such a good pasher” or “Oh My God! He bought me a fur coat” (I mean, really? Aside from the obvious animal cruelty issues, It’s frickin’ Sydney! It doesn’t get cold. That’s not love. That is stupidity). I would roll my eyes and think “get some perspective”.

Don’t get me wrong here – I absolutely adore my husband (and for the record – I walked down the road to my wedding ceremony – no cars) and, despite my jaded outlook, I truly believe that for most people, there is a love match. Some will be lucky enough to find it at a young age and have it last for many years (such as my friend’s grandparents who were married for 82 years), some will find it for a short intense period (Britney Spears and Jason Alexander married for a day comes to mind) but most people will be somewhere in between. And when it comes to my reading choices, I am curious, I am interested in reading about that journey of coming together. I predominately read romance fiction but I will happily read biographies with romantic elements because I love to examine and understand the circumstances around a romantic pairing as most of these pairings will be undertaken with an optimism that I find life affirming.

I have to say that I deeply dislike love stories, particularly tragic, grief stricken tales where no-one is happy and the moral is that misery gives you a deeper understanding of humanity. It may win authors literary awards but it certainly doesn’t compel me to buy any of their books. I know that life has tragedy and that death is not an option but I choose to focus on more positive aspects in life. It makes the reality of life so much more bearable.

So why would I equate romance to science fiction and not to fantasy. Well, for me, fantasy fiction is not possible. It is entering a realm that is only imagined, flights of fancy that will never be realised no matter how vivid or thrilling the story may be. But science fiction is grounded in scientific possibilities. It may not be possible in the immediate future, but just like the man on the moon, it has such wonderful outcomes should the fiction be realised. And don’t we all know how wonderful romance can be when it comes to fruition.

Australian romance authors – how many have you read? VaVeros’s list

So I’ve been a lazy blogger and done a straight cut and paste from Bookthingo. Read on!

How many Aussie romance authors do you know?

Australia is home to a lot of talented authors in the romance genre. Here’s a list of romance authors from the Romance Writers of Australia website. How many authors do you know?

Authors in BOLD are authors you’ve tried at least once.
Authors UNDERLINED are in your To Be Read pile.
Authors in ITALICS are authors whose work you’re planning to try soon.
Mark autobuy authors with an asterisk (*).
If an author has written a keeper for you, add the book title next to the author’s name.

This meme was created to celebrate Aussie Author Month 2011.

1. Alison Stuart – Historical
2. Alli Kincaid/Allison Rushby – Women’s Fiction, Young Adult
3. Ally Blake – HM&B Sweet, Sexy Sensation
4. Amy Andrews – HM&B Medical
5. Anna Campbell – Historical
6. Anna Cleary – HM&B Sexy Sensation
7. Anna Jacobs – Historical Sagas, Contemporary
8. Anne Gracie – Historical, Romantic Comedy
9. Anne Oliver – HM&B Sexy Sensation
10. Anne Whitfield – Historical
11. Annie West – HM&B Sexy, Sexy Sensation
12. Astrid Cooper – Speculative Fantasy, Paranormal
13. Barbara Hannay – HM&B Sweet
14. Barbra Novac – Erotic Romance
15. Beverley Eikli – Historical Intrigue
16. Bronwen Evans – Regency Historicals
17. Bronwyn Jameson – HM&B Desire
18. Bronwyn Parry – Romantic Suspense
19. Bronwyn Stuart
20. Carol Warner – Rural, Contemporary
21. Cassandra Cornell
22. Cathleen Ross – Erotica, HM&B Spice Briefs
23. Cathryn Brunet – Contemporary
24. CC Coburn – HM&B American Romance
25. Charmaine Attalla
26. Cheryl Wright – Romance
27. Christina Phillips – Ancient Historical Romance
28. Christine Stinson – Women’s Fiction
29. Christine Wells – Historical
30. Claire Baxter – HM&B Sweet
31. Daphne Clair/Laurey Bright – Historical
32. Deborah Challinor – Historical fiction
33. Denise Rossetti – Erotica
34. Dora Braden
35. Eleni Konstantine
36. Elisabeth Rose – Contemporary
37. Elizabeth Rolls – HM&B Historical
38. Emily Gee – Fantasy
39. Erica Hayes – Fantasy
40. Fiona Lowe – HM&B Medical
41. Fiona McArthur – HM&B Medical
42. Gail Symmonds – Time Travel/Historical
43. Heather Boyd
44. Heather Brown – Historical
45. Heather Garside – Historical
46. Helen Kirkman – HM&B HQN
47. Helene Young – Suspense
48. Isolde Martyn – Historical
49. Jan Colley – HM&B Desire
50. Janet Woods – Women’s Fiction
51. Jennie Adams – HM&B Sweet
52. Jennifer Brassel – Contemporary, Young Adult
53. Jess Dee – Sexy romance
54. Joan Kilby – HM&B SuperRomance
55. Joanie MacNeil
56. Joanna Challis – Historical
57. Kandy Shepherd – Romantic Comedy
58. Karlene Blakemore-Mowle/Karly Lane – Romantic Suspense
59. Kate Loveday – Contemporary, Historical
60. Kelly Hunter – HM&B Sexy Sensation
61. Keri Arthur – Urban Fantasy, Paranormal
62. Keziah Hill – Erotica
63. Kiki Lon – Young Adult
64. Kirsty Brooks – Crime Comedy Romance
65. Kylie Griffin – Paranormal Romance
65. Laura O’Connell – Inspirational Women’s Fiction
66. Lilian Darcy – HM&B Medical
67. Lillian Grant – Romance
68. Lisa Heidke – Women’s Fiction
69. Loretta Brabant – Contemporary
70. Louise Cusack – Fantasy
71. Lucinda Brant – Historical romance & mystery
72. Lucy Clark – HM&B Medical
73. Lynsey Stevens – HM&B Sweet
74. Maggi Andersen – Historical
75. Maggie Nash – Erotica, Paranormal, Suspense
76. Mandy Magro – Australian rural fiction
77. Maree Anderson – Paranormal, speculative fiction, fantasy
78. Margaret Tanner – Historical
79. Marion Lennox – HM&B Medical, Sweet
80. Mary Hawkins – Inspirational
81. Maxine Sullivan – HM&B Desire
82. Melanie Milburne – HM&B Medical, Sexy
83. Melissa James – HM&B Sweet
84. Michelle Douglas – HM&B Sweet
85. MJ Scott
86. Nicola Marsh – HM&B Sweet, Sexy Sensation
87. Nicola E. Sheridan – Fantasy / Paranormal romance
88. Nicole Murphy – Paranormal
89. Nikki Logan – HM&B Sweet
90. Noelene Jenkinson – Contemporary
91. Paula Roe – HM&B Desire
92. Paula Vince – Exciting, mysterious and suspenseful romance
93. Rachel Bailey – Silhouette Desire
94. Rhian Cahill – Erotic Romance
95. Robyn Donald – HM&B Sexy
96. Robyn Grady – HM&B Desire
97. Rowena Cory Daniells – Speculative Fiction, Children’s
98. Sandy Curtis – Suspense
99. Sara Bennett/Sara Mackenzie – Historical, Paranormal
100. Sami Lee – Contemporary
101. Sara Hantz – Young Adult
102. Sarah Mayberry – HM&B SuperRomance, Blaze
103. Sharon Archer – HM&B Medical
104. Shona Husk – Paranormal
105. Stephanie Laurens – Historical
106. Sophia James – Harlequin Historical
107. Suzanne Brandyn – Contemporary
108. Tamara Gill – Historical
109. Tina Marie Clark – Children’s
110. Tina Duncan – HM&B Sexy
111. Tracey O’Hara – Paranormal
112. Tracie Sommers – HM&B Spice Briefs
113. Trish Morey – HM&B Sexy
114. Valerie Parv – HM&B Sweet
115. Vonnie Hughes – Historical Intrigue
116. Yvonne Lindsay – HM&B Desire
117. Zana Bell – Historical, Superromance

Authors read: 19
Authors in TBR: 3
Autobuy authors: 0

I’ve read more Aussie Romance Authors than I thought I had. I tend to choose many of the overseas authors (which probably explains why I have no autobuy authors off this list). I think that I’m also a fly by the seat of your pants reader as I don’t tend to plan ahead with my TBR list.

So let’s see what this month brings!


Australian Romance Readers Convention 2011 – Part 2

In my day to day life, I have a few acquaintances who read and enjoy romance novels but it is a rare occasion to be surrounded by romance novel enthusiasts and authors and attending the Australian Romance Readers Convention gives you a chance to talk talk talk about romance novels without the fear that you are getting tiresome.

Here is the second part of my twitter influenced take (that is: 140 words or less per session)

Dinner – Bling and the 2010 Australian Romance Readers Awards – Winners

The ARRC2011 dinner was a dressed up, blinged up affair. An unofficial bling off had been issued and everyone came dressed to the nines. I felt that my tiara might give me the edge on others but unfortunately, Christine Darcas out-blinged everyone in her ballroom dancing, white sequin dress. It was bright & beautiful and her win was well deserved. For more pics there’s Bookthingo and ObsidianTears13 Flickr sets.

As for the favourite authors – there really was a strong Australian/New Zealand bias. Congratulations to Anna Campbell, Nalini Singh, Paula Roe, Jess Dee, Kandy Shepherd and Helene Young. For more details on the winners go to ARRA or Bookthingo.

The food was lovely and the company was splendid. There was much talking and cheer amongst all that attended.

DAY 2

Keynote: Cindy Gerard

Coming from Iowa, corn-fed Cindy Gerard had no idea that romance was the ugly step-sister of the publishing world. She (naively) sent her manuscript to LaVryle Spencer to critique who suggested CG send it to RWA .

Cindy addressed that she knew that she was talking to readers not writers so her talk was not going to be on her craft. She spoke about how, regardless of what you undertake in your life, it is the ability “to confine, control and dominate self-doubt” that will help you succeed. “Self doubt is a sneaky bitch” and can derail any career.

Cindy Gerard was funny, friendly and a lovely person throughout the convention. Stupidly, on each day I kept forgetting to bring my Marriage, Outlaw Style fave Cindy Gerard Silhouette for her to autograph but we did talk cowboy heroes!

Contemporary – The Resurrection of Contemporary Romances

Cathleen Ross, Amy Andrews, Lisa Heidke, Christine Darcas, Ros Baxter

Moderator: Kandy Shepherd

I was excited about this session as it’s my fave sub-genre. Unfortunately, the title was a misnomer as only 2 of the authors wrote contemporary romance. The rest were chick lit authors writing in the first person not the third. This difference was evident when asked for their fave authors. The contemporary authors listed SEP, Rachel Gibson, Crusie, Roberts whereas the chicklit authors listed Marion Keyes & Maggie Alderson.

That said, discussion was fun and lively. Authors articulated their craft, drawing on life experiences. Lisa Hiedke openly admitted to stealing from her own life, Amy Andrews & Ros Baxter on collaborative writing, the use/non-use of children, how much sexual description is enough (at which point Denise Rosetti’s books were described as 3 knicker reads) and the use/non-use of condoms in romance (do they get in the way or is it necessary).

Overall, a great session which would have set different expectations if it had been named Contemporary Romance vs Chicklit.

Category Series – 100 years and still going strong

Kelly Hunter, Melanie Milburne, Michelle Douglas, Paula Roe, Haylee Kerans (Harlequin staff)

Moderator: Annie West

I adore this sub-genres’s short, intense, contemporary stories so attending an intimate talk with these authors was a bonus. Annie West opened questions not only to the panel but to the audience too. Everyone discussed their first ever category read and why they chose to write in the genre.

The authors discussed how satisfying it is to read about alpha males who are at the mercy of the heroine. Kelly Hunter finds the power balance in relationships is important. Paula Roe is still mourning the cancellation of Harlequin Temptations.

Other topics were male virgins, the economy of words and tightly delivered emotions in the short story, tackling issues and the 40 year shift from low sensuality yet broader moral views to high sensuality with more conservative views.

The love promise has stayed core to the category series. The authors said criticism is fine – the reader always owns their response to the story.

By invitation – delegates panel

Cindy Gerard, Helene Young, Anna Campbell, Nalini Singh, Lexxie Couper, Keri Arthur

Moderator: Pamela Diaz (Convention Co-ordinator)

I chose to not take notes at this session. I enjoyed listening to the authors banter with each other about their writing experiences, their favoured genres, what they imagine they would be doi

ng if they weren’t authors. Bookthingo asked them whether they read the last page of a book (I won’t steal BookThingo’s thunder here but I will say that it was a fifty/fifty response). For more details please go to her website!

The convention was wrapped up at this point. It was another fantastic, intense weekend full of romance reading suggestions. My highlight of the convention has to be meeting all the wonderful Twitter folk I have been tweeting with over the last two years. Authors, bloggers, booksellers and readers….oh – and meeting Cindy Gerard, author of one of my favourite ever category romance rereads.

Australian Romance Readers Convention 2011 – Part 1

In my day to day life, I have a few acquaintances who read and enjoy romance novels but it is a rare occasion to be surrounded by romance novel enthusiasts and authors and attending the Australian Romance Readers Convention gives you a chance to talk talk talk about romance novels without the fear that you are getting tiresome.

Here is my twitter influenced take (that is: 140 words or less per session)

Friday Night Cocktails

Ditto!

The cocktail party was an intimate affair overlooking Bondi Beach with readers, bloggers, tweeps and authors mingling and schmoozing. The funny thing is that I didn’t look out at the view even once. The company was so engaging and enjoyable.

It was very exciting to meet up with friends from 2009 and even more so to meet friends whom I have met through Twitter and with whom I have shared many a twitversation. Some were instantly recognisable due to their twitter pictures and names but others who use a pseudonym or pseudophoto would sometimes be talking to you for a while before you realised who they were.

After the cocktails there was an impromptu meet-up in BookThingo’s room where we continued to talk books, romance fiction and bling.

Saturday

Keynote: Anna Campbell

Anna Campbell loves reading about intense relationships. Her first romance was by Joyce Dingwell, a Mills & Boon which she read at 8. Anna gave us a who’s who of Australian. Helen Bianchin, Margaret Way, Lindsay Armstrong, Valerie Parv, Emma Darcy. Up until this point, authors were published out of London by Mills & Boon. Then Harlequin published Bronwyn Jameson along with Annie West, Rachel Bailey, Amy Andrews, Michelle Douglas, Paula Roe, Sarah Mayberry and Melanie Milburne.

Australian single title authors are Stephanie Laurens, Anne Gracie, Mel Scott, Keri Arthur, Erica Hayes, Denise Rosetti, Helene Young, Bronwyn Parry, Anna Campbell and many more.

Anna ended her talk saying that Australia is a good place to be as a romance author because it is culturally aligned between the US & England therefore appealing to a very broad audience.

Book Launch – Helene Young’s Shattered Sky

Helene Young launched her new romantic suspense book Shattered Sky set in North Queensland.

This One Time – Panel discussion

Jess Dee (erotic), Anna Campbell (Historical), Shannon Curtis (Category), Helene Young (Romantic Suspense)

Moderator: Erica Hayes (Urban Fiction)

This one Time:

Discussion ranged from where authors get ideas. Both from their life experiences and their reading influences.

All the writers seemed to draw from their own experiences. Helene Young had the tragic misfortune of finding a dead body on the beach which years later acted as the foundation for her latest book Shattered Sky. Anna Campbell though has never met a Spanish duke in the 19th century and finds that she pulls a lot more out of her captive years at a Dickensian boarding school. For Shannon Curtis trying to get published was turned on its head when she took her blind father’s advice to sex up her writing though she w=ould prefer that he didn’t listen to audiobooks of her writing. Australian’s take blaspheming lightly but the American’s don’t. She gets a lot of complaints about the JC’s but not the fucks. This is a stand out in cultural differences.

This was a funny session with some lovely anecdotes from all the authors.

Romantic Suspense – panel discussion

Cindy Gerard, Helene young, Karlene Blakemore-Mowle, Shannon Curtis

Moderator: Bronwyn Parry

The authors talked about character development and the research they did so they can ensure their story was an entertaining escape and researched with sensitivity and authenticity. Keeping the romance story present in the romantic suspense can be difficult. There is an intensity that lends itself to adrenaline when lots of characters are dying that warrants hot sex quickly for others.

Cindy Gerard has a lot of military fans and her characters tend to be ex-soldiers. She’s vulnerable to her readers that have become friends and feels a responsibility in writing for them.

Research for all the authors plays a large role. Helene Young, also a pilot, needs to keep the flight information realistic without boring the layman yet not dumbing it down either. Cindy uses travel guidebooks and Bronwyn loves Google Earth to work out just how isolated can she make her settings.

Another interesting session.

Auction Booty

I bid on several items at the auction. I missed out on the retro Mills and Boon notebooks and Kathleen O’Reilly books. However I won the following

Kandy Shepherd:

Yay, for Kandy! Despite being an Australian author (and Sydney based) Kandy had been published in the US but not in Australia. I fell in lover with her book covers and she is a funny, scream of an author who was just as excited as I was when I got the winning bid *cheering*

Eloisa James’s Desperate Duchesses and An Affair Before Christmas because she’s one of the author’s I suggest for romance novel sceptics.

Sarah Mayberry’s Her Best Friend, Home for the Holidays and A Natural Father because I wanted to trial an author I hadn’t yet discovered.

 

 

 


Procrastireading

Procrastiread / prô’kræstairid/ verb (procrastiread, procrastireading) – 1. to delay finishing a book: I procrastiread my last book for three days. 2. purposely reading slowly so as to not reach the end of a book: the reader was procrastireading because of an emotional connection with the characters of a book in such a deep-felt way that to end the book would result in severing the relationship. [Latin]  – procrastireader, n.

Have you ever found yourself reading a book whose characters endear you, become your friends, become your soulmates and envelop you into their lives to the point that soon you realise that you are half way through your book? And with every page you are getting closer to the end of your relationship with these people. Sure, you are the passive person in this relationship where all others are walking, talking and interacting with each other yet ignoring you. But you are the one who is setting the pace, you are the one that decides when the next words in their story will be read. You are the one that can evoke a procrastiread.

The other day, on Twitter, I took part in a short exchange where @stephjhodgson tweeted that she was stretching the ending of the Stieg Larsson series, @Wateryone asked me if there was a word for that.

I couldn’t find an Oxford Dictionary word or definition for this behaviour . But now, there is a word that we can all use – procrastireading/procrastiread

Over the years there have been few books that I have procrastiread. For the most part, if I am enjoying a book, I need to finish it quickly. I fly through it. I stay up until 3 or 4 in the morning with my obsessive need to know how it finishes despite the fact that I read the ending before I started the book and despite the fact that I will be a mess at work that day. But once in a while I am captured. I am enchanted by every word and phrase. I am lost within the book and I just don’t want it to finish. So I stretch out my reading experience over a number of days.

My most memorable procrastiread has been Bet Me by Jennifer Crusie. Not only are the main characters Cal and Min perfectly matched with their sharp banter from the beginning of the story but their friends also became my friends. I felt captured by them. I was engaged and amused by the narrative and the dialogue. I was invested in these people and as I felt the thickness of the book’s pages in my right hand lessen, I realised that I no longer would have these wonderful friends with me. They would cease to exist. But not if I read only sections at a time. Slowly, savouring each exchange and every nuance. And once I came to the end of the story, I was thankful to Jennifer Crusie who gave me a snapshot epilogue of “Where are they now” for each wonderful character.

I really do miss them.

Have you ever found yourself procrastireading?